Mecánica popular
Pedro Juan Gutiérrez

FICTION | 2024 | 176 pages

A delirious, wondrous, autobiographical story about years of radical and chaotic change in Cuba.

Cuba registered radical, dizzying, chaotic, and violent changes during the 60s and 70s. Carlitos is a curious kid who wants to know everything. And he discovers that world with his investigative spirit: his family’s poverty, reading comics, sex, first jobs to earn some money and help out, his rich and elegant relatives who have been displaced by revolution, and the pain of exile.

Evidently, Carlitos is the author’s alter ego, and he submerges us in a world that we couldn’t have imagined, in the memory of those essential and crazy years. With quick, lucid, effective prose, Pedro Juan Gutiérrez offers us a delirious and wondrous autobiographical story about difficult years.  

RIGHTS: spanish ANAGRAMA

Mecánica popular, a collection of seventeen stories full of vitality, rawness, viscerality, and sex. Seventeen stories that function as a succession of Cuban stamps. A portrait of life on the island throughout the course of three decades, from the 50s to the 70s of the previous century, in three privileged locations: Matanzas, Pinar del Río, and Havana. Additionally, this is a collection of stories that could also be read as a kind of open or episodic novel, because there are characters who reappear in the stories that follow. One in particular, Carlitos, we meet as a kid and then reencounter once he has become a recruit and construction worker who wants to study Architecture and dreams of becoming a journalist.
— Álvaro de Luna, Esquire
Pedro Juan Gutiérrez returns to bookstores with Mecánica popular, a collection of stories in which he returns to his childhood through a series of characters that make up a fresco of Cuba in the 50s and 60s. Less lustful and stark but more mature and reflective, the Pedro Juan Gutiérrez we encounter here is closer to Chekhov than to the title of ‘Caribbean Bukowski’ that critics bestowed upon him decades ago.
— Íñigo Linaje, El Correo
A real homage to the freedom of the individual where discourse has been displaced by life.
— J.A. Masoliver Rórdenas, La Vanguardia
Mecánica popular confirms the indisputable narrative skill of the author linked with an unstoppable autobiographical vocation. The 17 short stories that make it up are kind of vignettes of his own life, captured through interposed literary characters. This is a technique that has always been used by this writer, and one that returns now perhaps with more strength and presence.

The beat of nostalgia, memories engraved with fire, scenes that are impossible to erase that will be with him until the end that the author immortalizes with his writing, perhaps corroborating Gabriel García Márquez’s controversial idea that life really is what you remember. Pedro Juan remembers and writes; he brings vital experiences to the page that he needs to exorcise or at least come to terms with. Fiction and memories. To evoke can be painful. Memory is the terrain where this transaction takes place. This seems to be the original mechanism that gives rise to these stories that are written with the author’s typical clean and minimalist prose. The stories take place throughout the 50s and 60s, during the moment in the country’s history that was broken up by the revolutionary period.
— Rafael Acosta, OnCuba

BY PEDRO JUAN GUTIÉRREZ:

Mecánica popular
SHORT STORIES, 2024
Estoico y frugal
NOVEL, 2019
Diálogo con mi sombra
MEMOIR, 2017
Fabián y el caos
NOVEL, 2015
Corazón mestizo
NOVEL, 2007
El nido de la serpiente
NOVEL, 2006
Nuestro GG en La Habana
NOVEL, 2004
Carne de perro
NOVEL, 2003
El insaciable hombre araña
NOVEL, 2002
Animal tropical
NOVEL, 2000
Melancolía de los leones
STORIES, 2000
El rey de La Habana
NOVEL, 1999
Trilogía sucia de La Habana
NOVEL, 1998