Pétalos y otras historias incómodas
Guadalupe Nettel

STORIES | 2008 | 144 pages

WINNER OF THE GILBERTO OWEN PRIZE, THE ANNA SEGHERS PRIZE, AND THE ANTONIN ARTAUD AWARD

As though seen through an X-ray, the characters that populate this book show us things that human beings normally prefer to keep hidden. Each one of these stories brings to light a strange and different model of insanity, an unmentionable eccentricity that motivates someone’s existence: a Parisian photographer who is only interested in the blink of an eye, a Japanese office worker who discovers a rare affinity for cacti, a model who has hidden a strange twitch since childhood, a girl who tries, in her own way, to cheat death, a smeller of ladies’ lavatories...With an ironic style full of mock naivety, the author introduces us into the lives of men and women who, behind their apparent normalcy, actually form part of that ample army of outsiders. This book promotes the idea that real beauty can be seen in those places that are difficult to look at.

Read an excerpt in English published in Granta here.

RIGHTS: spanish EDITORIAL ANAGRAMA | english (usa) SEVEN STORIES PRESS | italian LA NUOVA FRONTIERA | french ACTES SUD | slovenian LUD | czech VOLVOX GLOBATOR | turkish MONOKL | bulgarian COLIBRI | japanese GENDAI SHOKAN | simplified chinese FOLIO BOOKS

Bezoar is a delicate, magnetic carousel. Each story rises into view after the previous one, singular and unsettling, showing us that there is beauty to be found in every defect, and leaving us genuinely astonished at the mesmerizing reflections it casts.
— Samanta Schweblin, author of Little Eyes and Fever Dream
The haunting stories in this collection feature characters that inhabit bodies which are strange places, so much so that they lose their human form, or are subjected to macabre investigations or perverse compulsions. Voyeurs, symbiosis, metamorphosis, fluids; the links here are hazy, the relationships with other beings, mutant. Guadalupe Nettel reminds us that there is nothing stranger than existence lived in these containers made of flesh, blood and madness.
— Mariana Enríquez, author of Things We Lost In The Fire
I love the work of Guadalupe Nettel, one of Mexico’s greatest living writers. Her fiction is brilliant and original, always suffused with sensuality and strange science – and these stories in ‘Bezoar’ are among her best.
— Paul Theroux
This slim collection is described accurately with its subtitle: these are disquieting stories that create a sense that something is very wrong rather than crossing the line into outright horror. What emerges are psychologically rich tales where the mood is overwhelming; for this reader, that’s an excellent thing indeed.
— Tobias Carroll, Words Without Borders
These ‘stories,’ as she calls them, written with great simplicity and ease, go from evocation to identity. From description to intimacy. The way Nettel looks at madness—both soft and destructive,—at mania, and at deviance is so acute that it takes us back to our own obsessions. Paradoxically, the stranger the stories, the closer they seem to be.
— Xavier Houssin, Le Monde
Mexican author Guadaupe Nettel consolidates herself with this collection of disturbing stories about dangerous relationships, encounters and disencounters marked by solitude and isolation.
— J. A. Masoliver Ródenas, La Vanguardia
The author’s direct and balanced prose in these six awkward stories manage to fill us with a singular restlessness when we get to know the characters that inhabit them, as the stories speak of that other person we also are and that we hide from the others. Furthermore, they speak of certain manias, obsessions and even the disorders that we might suffer… As readers we remain alert—these stories chase and catch us.
— María José Obiol, Babelia, El País
Nettel imposes her serene and sober narration over the harshness of the stories. Her courage comes from the way she brings the lens in closer and talks about what many leave in the shadows.
El Mundo
Even though they are written in a classical style, these stories pursue a somewhat unhealthy objective: to disturb.
— Rafael Lemus, Letras Libres
One must have a lot of talent and aesthetic courage (and ethical courage, as they always go together) to wrap a book so challenging under the rules of fiction.
— J. Ernesto Ayala-Dip, Qué Leer
Strange stories that are as disturbing as they are luminous, by one the most important voices in Mexican literature.
— Juan Pablo Bertazza, Radar Libros
Six stories of difficult love, six stories presided by ambiguity and mystery, by strangeness as a means to approach romantic relationships, or, at least, human relationships. Each plot is an eccentricity, an unusual episode, a sinuous path that introduces us into the most disturbing aspects of the human mind.
— Arturo Gardía Ramos, ABC
A fine scrutinizer of the intimate world in all its contradictions, its most surprising and unspeakable details, Nettel is unrivaled when it comes to exasperating tensions…There lies the strength of this collection that sparkles with charm. Like an upside down fairy tale.
— Thierry Clermont, Le Figaro